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Despite the geographic incongruity, the director, Brian De Palma, kept the dialogue authentic supposedly the 600 extras used in the riot scene only spoke Spanish. It was later revealed that many of those who took part were actually released from Cuban jails and mental institutions. government set up a boatlift to transport refugees to Florida. In response to an economic downturn, the Cuban government gave citizens the ability to leave, so the U.S. These exiles were part of the Mariel Boatlift of 1980, where roughly 125,000 Cubans seeking asylum were transported from the Cuban port city to the United States. On of the first places we see Montana, the temporary shelter for Cuban exiles in Miami, was filmed at the intersection of I-110 and I-10 in Los Angeles near Santa Monica.
#Babylon location movie#
Despite the fight over the film and locations, the producers still needed to shoot specific scenes in Miami, so the movie still stands as a time capsule of the era, especially the exterior shots, which show a time before subsequent waves of investment transformed the city’s coastline with mega-developments. Key spots, such as the Babylon Club, were shot inside a Hollywood sound stage, with a building in Davie, Florida standing in for the exterior. Bregman refused to budge, saying the movie wouldn’t give Miami a bad reputation (“It already has that image,” he replied), and after months of protests, decided to move the bulk of the film shoot (and take millions in economic benefits) to California. was the leader of a vocal minority that feared the movie’s negative portrayal of Cubans and fought to change the story at one point, he sent a letter to producer Martin Bregman asking if he could rewrite the film to make Montana a Castro spy. Cuban-American City Commissioner Demitrio Perez, Jr. But don’t just blame the producers as director Brian De Palma once said, the actors and crew felt like they were run out of town. Which makes it disappointing that, like many Hollywood productions, it cheats by using California as a stand in for numerous locations. While the origins of the story can actually be traced back to Chicago (the film is a remake of the original 1932 Scarface, where actor Paul Muni stars as Tony Camonte, a very loose stand-in for Al Capone), the 1983 film appears to be squarely set in the Miami of its time. Pacino’s turn in the immigrant-turned-crime lord tale, a tweak of the coming to America narrative dressed up in pastel, disco beats and blow, pays homage to South Florida’s flashy landscape. Despite the movie’s place in Florida and hip-hop lore, faux Miami locations are actually the rule, not the exception. The palatial estate from Scarface, which served as the backdrop for Tony Montana’s famous headfirst dive into a pile of cocaine and his “say hello to my little friend”-shouting last stand, sold for $12.26 million, roughly a third of its asking price. It was in California, near Santa Barbara.
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The exterior of the club was filmed at 3501 Southwest 130th Avenue in Davie, Florida.Ī key location in Miami movie history was just sold late last month, though it wasn’t on Ocean Drive, Calle Ocho, or any of the city’s iconic streets. The mirrored panels were actually mounted on sponge boards and covered in clear plastic, so shootout scenes could be re-shot without cleaning up broken glass. The Babylon Club featured in the film Scarface (1983) with Al Pacino, complete with purple carpeting, mirrors, a dance floor and Greek statues, was created on a sound stage in Los Angeles, not at an actual location.